Hayor Bibimma African Dance Company
Home | Contact | Bio | Classes | Performances | Media | Residencies | Music | Repertoire | HLC



Francis Kofi, West African Dance Company in Accra Ghana. Available for performances, classes, workshops & private events
Francis Kofi
Artistic Director/Choreographer


Company Biography

Hayor Bibimma Dance Company is a Accra based West African dance group specialized in traditional West African drumming, dance and storytelling. Hayor Bibimma's aim is to increase public participation in traditional African performing arts, enhance cultural awareness and ease public accessibility to the richness of African heritage. The establishment of this company invariably ensures the survival of certain traditional African dances, the symbolic meaning of movements as well as the accompanying music, songs, stories and their cultural significance. With conscientious attention to styles and presentation, Hayor Bibimma will perpetuate tradition and infuse it with a contemporary twist, weaving a tapestry of cultural richness. This genre, appeals to the curious, the connected and kindred spirits of all ages. And thus the company is aptly named Hayor Bibimma means bringing the masses of Mother Africa together.


Instruments

Hayor Bibimma's instruments are traditional. Specific instruments serve specific purpose. Timing and rhythm are created using rattles and bells. Percussion is supplied by drums. Each drum has a name, a voice, a function and history. The tones and phrases spoken by the individual instruments are interwoven to create a dense and dynamic texture of sound. While the support instruments provide the contours, the master drummer provides the outline and cues of change and transformation. It is he who "talks" in shrouded phrases. The relationship of all parts speaking together creates an acoustic mosaic.


Traditional West African Dance and Music

In the African community, dance is a dramatic, moving metaphor for life. From the customary to the extraordinary, African dance depicts life’s rhythms and cycles, labors, values, aspirations, history, and economic conditions, religious beliefs and realities. The African dance movement reveals the internal and external conflicts endured by a community and the path of resolution. The African dancer dances not alone but with his community, and for his community bringing meaning to the mundane. West African dance represents our lives and our story is told as the dance unfolds.

The African dances which inspire us today are those which were created by our ancestral artists and have thrived to become representative of a tradition. Yet, change is inevitable. As life changes, movements and members change and West African dance is highly conscious of this evolution. Whereas before, the audience were not simply spectators but co-creators and participants in the story, dancers have had to adapt to a new society in which the spectators may not be ‘’participants’’ but they are still “part”. The message must still be assimilated and understood; clarity is imperative.

The challenge in expressing a clear message resides in the specificity of the language  spoken. The language of the African drums. The African drums engage in dialogue with the African dancer. At times they are the motivators with a playful repartee. In the war dances, the drums are the enemy, taunting, challenging and provoking the dancer. When the drum speaks, the body must respond and express the intensity of all that life is. The drum ignites the dancer and the dancer sears its’ meaning in motion.

West African dance combines poetry, imagination, realism, and adornment of a culture with movements which are sometimes strong, sometimes subtle. The flex of fingers and hands represent our prayers. The thrusting arms represent our thanksgiving. The stomp and pause reflects our indignation; the leaps and turns, our frivolity and foolishness; the tense core, our defiance; the bow, our allegiance; the halting steps, our reverence.

Our company of West African dancers and musicians here in Accra Ghana have drawn from a variety of ethnic backgrounds to express the messages on the stage. They have demonstrated beyond a doubt, that through sharing the African dance experience, we are effectively made aware not of our differences, but of that which binds us together – an indisputable unity of people immerse in the human experience. Our company is here to deliver this message.


Relationship with Community

Knowledge is gained through experience. Respect is earned by accomplishment. Self knowledge and self respect is attained when one is given the opportunity to try something unknown with the freedom to explore it, become familiar with it and make it their own. By reaching out into community, Hayor Bibimma offers the public the chance to know, feel, do, try, learn and appreciate music and dance which may or may not be customary and make it recognizable and distinctive. In this way Hayor Bibimma will realize its' ambition by bringing the masses together for tradition does not stand still, it moves onward to influence the future.

 

Links